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<front>
<journal-meta>
<journal-id journal-id-type="publisher-id">Eur. J. Cult. Manag. Policy</journal-id>
<journal-title>European Journal of Cultural Management and Policy</journal-title>
<abbrev-journal-title abbrev-type="pubmed">Eur. J. Cult. Manag. Policy</abbrev-journal-title>
<issn pub-type="epub">2663-5771</issn>
<publisher>
<publisher-name>Frontiers Media S.A.</publisher-name>
</publisher>
</journal-meta>
<article-meta>
<article-id pub-id-type="publisher-id">15120</article-id>
<article-id pub-id-type="doi">10.3389/ejcmp.2025.15120</article-id>
<article-categories>
<subj-group subj-group-type="heading">
<subject>Humanities and Social Sciences Archive</subject>
<subj-group>
<subject>Special Issue Editorial</subject>
</subj-group>
</subj-group>
</article-categories>
<title-group>
<article-title>Editorial: Cultural entrepreneurship and cultural initiatives: challenges in a new context</article-title>
<alt-title alt-title-type="left-running-head">Bocconcelli et al.</alt-title>
<alt-title alt-title-type="right-running-head">
<ext-link ext-link-type="uri" xlink:href="https://doi.org/10.3389/ejcmp.2025.15120">10.3389/ejcmp.2025.15120</ext-link>
</alt-title>
</title-group>
<contrib-group>
<contrib contrib-type="author">
<name>
<surname>Bocconcelli</surname>
<given-names>Roberta</given-names>
</name>
<xref ref-type="aff" rid="aff1">
<sup>1</sup>
</xref>
<uri xlink:href="https://loop.frontiersin.org/people/1295652/overview"/>
</contrib>
<contrib contrib-type="author" corresp="yes">
<name>
<surname>Borin</surname>
<given-names>Elena</given-names>
</name>
<xref ref-type="aff" rid="aff2">
<sup>2</sup>
</xref>
<xref ref-type="corresp" rid="c001">&#x2a;</xref>
<uri xlink:href="https://loop.frontiersin.org/people/1994203/overview"/>
</contrib>
<contrib contrib-type="author">
<name>
<surname>Demartini</surname>
<given-names>Paola</given-names>
</name>
<xref ref-type="aff" rid="aff3">
<sup>3</sup>
</xref>
<uri xlink:href="https://loop.frontiersin.org/people/2570973/overview"/>
</contrib>
<contrib contrib-type="author">
<name>
<surname>Pagano</surname>
<given-names>Alessandro</given-names>
</name>
<xref ref-type="aff" rid="aff1">
<sup>1</sup>
</xref>
<uri xlink:href="https://loop.frontiersin.org/people/1304731/overview"/>
</contrib>
<contrib contrib-type="author">
<name>
<surname>Piber</surname>
<given-names>Martin</given-names>
</name>
<xref ref-type="aff" rid="aff4">
<sup>4</sup>
</xref>
<uri xlink:href="https://loop.frontiersin.org/people/2571658/overview"/>
</contrib>
</contrib-group>
<aff id="aff1">
<sup>1</sup>
<institution>Department of Economics Politics and Society, Universit&#xE0; degli Studi di Urbino Carlo Bo</institution>, <addr-line>Urbino</addr-line>, <country>Italy</country>
</aff>
<aff id="aff2">
<sup>2</sup>
<institution>Department of Management and Economics, Pegaso Digital University</institution>, <addr-line>Naples</addr-line>, <country>Italy</country>
</aff>
<aff id="aff3">
<sup>3</sup>
<institution>Department of Business Studies, Universit&#xE0; degli Studi Roma Tre</institution>, <addr-line>Rome</addr-line>, <country>Italy</country>
</aff>
<aff id="aff4">
<sup>4</sup>
<institution>Department of Organisation and Learning, Universit&#x00E4;t Innsbruck</institution>, <addr-line>Innsbruck</addr-line>, <country>Austria</country>
</aff>
<author-notes>
<corresp id="c001">&#x2a;Correspondence: Elena Borin, <email>elena.borin@unipegaso.it</email>
</corresp>
</author-notes>
<pub-date pub-type="epub">
<day>24</day>
<month>07</month>
<year>2025</year>
</pub-date>
<pub-date pub-type="collection">
<year>2025</year>
</pub-date>
<volume>15</volume>
<elocation-id>15120</elocation-id>
<history>
<date date-type="received">
<day>18</day>
<month>06</month>
<year>2025</year>
</date>
<date date-type="accepted">
<day>08</day>
<month>07</month>
<year>2025</year>
</date>
</history>
<permissions>
<copyright-statement>Copyright &#xa9; 2025 Bocconcelli, Borin, Demartini, Pagano and Piber.</copyright-statement>
<copyright-year>2025</copyright-year>
<copyright-holder>Bocconcelli, Borin, Demartini, Pagano and Piber</copyright-holder>
<license xlink:href="http://creativecommons.org/licenses/by/4.0/">
<p>This is an open-access article distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction in other forums is permitted, provided the original author(s) and the copyright owner(s) are credited and that the original publication in this journal is cited, in accordance with accepted academic practice. No use, distribution or reproduction is permitted which does not comply with these terms.</p>
</license>
</permissions>
<related-article id="RA1" related-article-type="commentary-article" journal-id="Eur. J. Cult. Manag. Policy" xlink:href="https://www.frontierspartnerships.org/research-topics/93" ext-link-type="uri">Editorial on the Special Issue <article-title>Cultural entrepreneurship and cultural initiatives: Challenges in a new context</article-title> </related-article>
<kwd-group>
<kwd>cultural entrepreneurship</kwd>
<kwd>cultural initiatives</kwd>
<kwd>sustainable development</kwd>
<kwd>cultural and creative ecosystems</kwd>
<kwd>sustainability challenges</kwd>
</kwd-group>
</article-meta>
</front>
<body>
<p>In contemporary society, cultural initiatives not only offer a stage for artists and cultural practices but also act as systemic connectors of diverse institutional domains. They provide special intellectual resources as well as a connecting infrastructure that enables a transformative interaction across artists, academic institutions, scientific communities, cultural entrepreneurs and other individuals and groups. The resulting transformative processes foster innovation, inclusivity, and resilience in our complex societal systems.</p>
<p>Cultural initiatives serve as hybrid platforms where disciplinary boundaries are reflected, reconfigured and broken down (<xref ref-type="bibr" rid="B5">Demartini et al., 2021</xref>). They can imply that universities engage with artists, that scientists collaborate with cultural institutions to enhance public understanding or that entrepreneurs draw on artistic practices to reimagine economic models creating complex cultural ecosystems (<xref ref-type="bibr" rid="B2">Bergamini et al., 2018</xref>; <xref ref-type="bibr" rid="B6">Dobreva &#x26; Ivanov, 2020</xref>; <xref ref-type="bibr" rid="B7">Magkou, 2024</xref>). An increasing number of studies take a contextualized approach, underlining the relevance of local embeddedness, neighborhood networks, and the social structure of cities as arenas for novel business models, organizational structures, and start-ups (<xref ref-type="bibr" rid="B9">Vestrum, 2014</xref>; <xref ref-type="bibr" rid="B10">Summatave and Raudsaar, 2015</xref>; <xref ref-type="bibr" rid="B3">Borin and Delgado, 2018</xref>; <xref ref-type="bibr" rid="B1">Ben Hafa&#xef;edh et al., 2023</xref>). These linkages are neither incidental nor can they be easily enforced by directing interventions - but can be observed in their multifaceted contexts (<xref ref-type="bibr" rid="B8">Pagano et al., 2021</xref>; <xref ref-type="bibr" rid="B4">De Bernard et al., 2022</xref>).</p>
<p>This joint issue between the <italic>EJCMP -European Journal of Cultural Management and Policy</italic> and <italic>PISB - Piccola Impresa - Small Business</italic> aims to address these issues through nine international contributions. It seeks to provide insights into the changing realities of cultural and creative activities and their implication towards sustainable development. The objective is to analyse these dynamics in action in various geographical locations and contexts.</p>
<p>Among the four papers published in the EJCMP, we find contributions exploring governance, entrepreneurial dynamics and creative entrepreneurship, and sustainable regional development.</p>
<p>
<ext-link ext-link-type="uri" xlink:href="https://doi.org/10.3389/ejcmp.2025.14016">Kostica</ext-link>&#x2019;s <italic>Does Network Governance Really Work? Evidence from Cross-National Comparative Research on Urban Regeneration in Belgrade and Amsterdam</italic> examines governance systems regarding urban regeneration. By comparing the governance approaches employed in Belgrade&#x2019;s Savamala district and Amsterdam&#x2019;s NDSM Wharf, the research outlines distinct governance pathways and their respective impacts on processes of urban transformation. The study points out the effectiveness of stable, inclusive network governance in fostering resilient and sustainable cultural ecosystems while critically identifying the inherent limitations of hierarchical governance structures.</p>
<p>In <italic>Becoming a Craft Entrepreneur: Reviving Heritage by Means of Tradition, Innovation, and Community in the Nove&#x2019;s Ceramic Ecosystem</italic>, <ext-link ext-link-type="uri" xlink:href="https://doi.org/10.3389/ejcmp.2025.13902">Leonardi and Pareschi</ext-link> undertake an analysis of the career of ceramist Pol Polloniato, proposing a model of artisan entrepreneurship that encompasses rootedness, experimentation, legitimation, and return to the community. Their findings highlight how craft entrepreneurship intersects tradition, innovation, and community engagement, thereby emphasizing its significance for regional development and the long-term sustainability of cultural ecosystems.</p>
<p>
<italic>Knowledge Co-Creation in Arts Universities: An Entrepreneurial Mindset</italic>, by <ext-link ext-link-type="uri" xlink:href="https://doi.org/10.3389/ejcmp.2024.13872">Kuznetsova-Bogdanovitsh and Ranzcakowska</ext-link>, offers an in-depth examination of the integration of entrepreneurial thinking within the context of arts universities. On the basis on the theoretical framework of Communities of Practice and empirical data gathered from two European institutions, the authors explore how fostering an entrepreneurial mindset can enhance processes of knowledge co-creation (while also facilitating the alignment of artistic and institutional values) and investigate the inherent tensions emerging between entrepreneurial imperatives and artistic identity.</p>
<p>
<italic>Fashioning Cultural Entrepreneurship: Heritage&#x2019;s Role in the Dissemination, Didactic and Research Activities Among Stakeholders</italic>, by <ext-link ext-link-type="uri" xlink:href="https://doi.org/10.3389/ejcmp.2024.13577">Vandi and Vacca</ext-link>, addresses the function of fashion heritage in cultural entrepreneurship through the case history of the Gianfranco Ferr&#xe9; Research Center. It illustrates how the archive functions as a hub for didactical, cultural, and social sustainability, providing a model for replication in the utilization of heritage in the service of the creative and cultural industries.</p>
<p>In the contributions published in the <italic>PISB</italic> journal, the debate revolves around adaptive strategies, resilience and innovation in cultural ecosystems, with reflection on sustainable urban development and the tensions between urban and peripheral areas (especially in the context of Rome).</p>
<p>
<italic>Strategic Adaptations in Cultural Management: Organisational Resilience and Innovation in Creative Industries in Rome</italic> by Pastore and Corvo investigates how Rome&#x2019;s cultural institutions cope with the underlying challenges through adaptive approaches. Combining quantitative statistics and a qualitative interview analysis, the research illustrates the value of organisational flexibility and the supportive roles of infrastructure for resilience and innovation in urban creative ecosystems.</p>
<p>
<italic>From Insights to Strategy: Mapping Rome&#x2019;s Cultural Heritage for Optimal Resource Management and Promotion</italic> by Masili, Conigliani, and Addis applies spatial analysis and cluster techniques to investigate the distribution of Rome&#x2019;s cultural heritage. The study reveals significant disparities between the historic centre and peripheral areas, pointing to context-sensitive strategies to promote the diversification of cultural offers, ensure equitable resource allocation, and foster the sustainable development of the urban landscape.</p>
<p>Lelo&#x2019;s <italic>Creative Industries and the Innovative Urban Milieu: The Case of the Metropolitan City of Rome</italic> analyses the spatial concentration of creative industries in Rome. Employing spatial regression modelling, the study highlights the significance of localised knowledge spillovers, providing empirical evidence that supports policy interventions aimed at fostering creative entrepreneurship and innovation within the urban context.</p>
<p>
<italic>How Does Social Impact Influence Cultural Entrepreneurship?</italic> By Oppioli, Lanzalonga, and Biancone examines the adoption of digital solutions for the evaluation of social impact within the cultural and creative industries. Building on the insights derived from an action-research case study, the authors propose a framework that synthesizes the Theory of Change with Business Intelligence systems. This integrative model provides a replicable approach for aligning cultural activities with the objectives outlined in the United Nations Sustainable Development Goals.</p>
<p>Lastly, <italic>From Poltronova to Centro Studi Poltronova: How to Pivot on Cultural Resources for Organisational Rebirth</italic> by Fioravante, Cau, and Piccioni investigates how organisational renewal can be fostered through the strategic use of cultural resources. The study introduces the concepts of the &#x201c;artist-based enterprise&#x201d; and the &#x201c;project-based model,&#x201d; emphasising the transformative potential of artistic heritage as a catalyst for economic and cultural resilience.</p>
<p>In a nutshell, the contributions included in this joint Special Issue present a multi-dimensional analysis of how culture serves as a driver for change, shedding light on challenges, opportunities, and emerging patterns. They highlight the multifaceted nature of cultural and creative initiatives and their embeddedness within specific socio-spatial contexts. They reflect how different interventions can contribute to fostering resilience, driving innovation, and supporting sustainable development by promoting collaborative and adaptive practices. The intersection between governance models, entrepreneurial dispositions, and cultural resources emerges as a key driver for systemic transformation.</p>
<p>However, the modalities of the connections differ significantly across projects, cities and regions. Each article offers a specific case of how culture can unfold this potential. We invite the readers to explore, engage with the cases and understand their specific connecting contribution.</p>
</body>
<back>
<sec sec-type="author-contributions" id="s1">
<title>Author contributions</title>
<p>All authors listed have made a substantial, direct, and intellectual contribution to the work and approved it for publication.</p>
</sec>
<sec sec-type="COI-statement" id="s2">
<title>Conflict of interest</title>
<p>The authors declare that the research was conducted in the absence of any commercial or financial relationships that could be construed as a potential conflict of interest.</p>
</sec>
<sec sec-type="ai-statement" id="s3">
<title>Generative AI statement</title>
<p>The author(s) declare that no Generative AI was used in the creation of this manuscript.</p>
</sec>
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